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Carnival Triumph
Like a Tour of the Great Cities
By Ethel Blum
The Carnival Triumph is a vessel designed to
pay homage to the world’s
greatest cities. With little effort, passengers pass from room-to-room,
city-to-city, on an impressionistic experience made possible by ingenious
design. Based on the visible and verbal reaction by my fellow 2,998
passengers, Carnival has done it again with an innovative theme that
appeals to a broad range of vacationers.
Like other vessels in the Carnival fleet, the ship is awesome. The few
minor and major changes from Destiny are not enough to turn passenger
preferences from one to the other.
The Fincantieri shipyard calls the changes 700 “modifications
that have improved the Triumph with respect to the prototype.” First,
and most noticeable, is the color scheme. Carnival Triumph is softer
with more beige and pastels, an abundance of rich woods, enhancing glass,
fine upholstery, velvets, leather, museum-quality art works, basket-weave
woodwork, global motifs and subtle lighting in most areas.
Then, there’s the additional deck offering 60 cabins, most with
verandas, and two super-deluxe suites, also with private verandas. While
spaciousness on a ship this size is a given, Carnival has a way of making
big — really big — ships more spacious with a few changes.
A good example is the additional deck space made possible by moving
the bars in the swimming pool areas to the sides and eliminating the
swim-up bar. This allows for additional sunning space and elbowroom between
chaise lounges. And, the waterfall proved so popular on the Destiny,
that Carnival built two on the Triumph.
There’s more open deck space as well, and
additional entrances have been added to Club Rio (aft lounge) and to
Venezia (jazz club) to ease passenger flow and reduce congestion during
busy hours.
“The phrase ‘Today’s Carnival’ describes the
new level of quality and sophistication offered in all facets of the
Carnival cruise experience,” said Carnival president Bob Dickinson.
He isn’t exaggerating. Carnival Triumph is an excellent example
of “Today’s Carnival” and there’s little — except,
of course, the “fun” — to remind you of the “Old
Carnival.”
Each room is themed to a major city, with history or romance as its
hallmark. The names fit the functions of the rooms and designs emphasize
features associated with each.
Two elegant atria, the Capitol and the World Hall, are the centerpieces
from which the rest of the ship emanates. Soaring nine decks through
the heart of the ship, the Capitol begins on Deck 2 and is crowned by
an immense skylight. An enormous convex globe highlights the Northern
Hemisphere and graces the ceiling where the Capitol narrows. The globe
wraps around the wall and stretches toward the skylight.
I would be remiss if I didn’t mention the superb artworks that
enhance Triumph’s décor. My favorites are Murano artist
Luciano Vistosi’s three-dimensional, map-like glass murals, depicting
the Earth’s continents. Positioned along the 525-foot-long World’s
Way Promenade, they are composed of blue, green and yellow glass representing
the various oceans, deserts and landscapes of the world.
World’s Way is Main Street. A doublewide promenade and an extension
of the Capitol’s glamour and elegance, it is an entertainment complex
unto itself. World’s Way encompasses street-side seating areas
along the windows and refreshment and entertainment venues tucked along
the inboard side. It is the place to meet and be met, especially at the
midship bar, World’s Bar, a cruciform-shaped bar composed of backlit
Venetian glass panels and stone trim supporting a polished stone and
walnut top.
It’s an avenue of choices. Aft is the California Wine Bar, which
showcases elaborate glass chalices displayed behind the bar and in internally
lit octagonal pillars. If it’s a quick late-night or mid-afternoon
snack, there’s the Vienna Café with an array of pastries
and coffees.
Excitement and video games intrigue you? Head for Underground Tokyo.
It doesn’t matter which way you go on World’s Way, there’s
an excellent chance you’ll find a favorite. Anchored forward by
the upper level of the triple-decked Rome Lounge and aft, by Club Rio,
there’s an entertainment venue or quiet corner for every passenger.
Rome Lounge is the sophisticated and very elegant
venue for Carnival’s
award-winning production shows and nightly acts by specialty performers.
Inspired by the classical lines of the Coliseum, Ionic columns flank
the stage and decorate the walls.
Keystones are cast relief faces of Roman actors positioned at the apex
of each arch. A stunning, hand-made Venetian glass chandelier is suspended
from a large center-ceiling dome. The arms of the chandelier are covered
with Venetian glass flowers and incorporate rose, gold, garnet and light
green fiber-optic lights that can be used for special lighting effects
at show time.
Far aft is Club Rio, home of the perennially popular adults-only midnight
comedy act and a venue for passengers who prefer mellow music for pre-
and post-dinner dancing. The room also is used for a variety of daytime
activities. Club Rio is designed on the diagonal, with clear views of
the stage, which is positioned in the corner of the room just off World
Hall. Seating is on sofas, banquettes and chairs on different levels
arranged around the front and sides of the stage.
Extensive use of Brazilian rosewood panels are arranged in a box pattern
with small purple, red, ultramarine, yellow or amber convex glass tile
with a mirror backing in the center of each. Cherry wood, handmade Tiffany-type
glass tiles, rosewood panels and bright fabrics add pizzazz to the colorful
Club Rio.
In between the two major rooms are more intimate lounges, bars and some
quiet and not-so-quiet areas. Some of the areas on this deck passengers
should not miss include:
• Venezia Lounge offers upbeat music and dancing
enhanced by symbols of ancient Roman gods that suggest romantic Venice.
• The Big Easy Bar, an intimate New Orleans-style
piano lounge, features oysters and jazz, two of New Orleans’ trademarks.
This distinctive piano bar is a nightly hang out for the 30s and 40s
crowd.
• Hollywood Dance Club, the double-deck disco
where the action focuses on a sunken dance floor, moves to its own
beat until the wee hours of the morning. The room incorporates a multitude
of elements to entertain and dazzle dancers. The tinted step-down glass
dance floor is suspended between the dance club and the Oxford Bar
one deck down, allowing guests below to get a sense of the action above
in a quieter setting that encourages talk.
• Club Monaco features a glittering and glistening
casino atmosphere.
• The Olympic Bar was named to honor the Games
and their ancient Greek birthplace. Accessible from the Capitol and
from Club Monaco, it caters to sports fans who revel in cheering for
favorite teams on strategically placed giant television screens and
to gaming enthusiasts looking for a breather from the adjacent room.
The Olympic Bar is definitely worth a visit, even for non-sports fans.
More than 100 souvenirs, medals and printed pieces are preserved here.
New on board the Triumph is Carnival’s
first golf program where guests have the opportunity to receive one-on-one
instruction from professionals.
Atlantic Deck, one deck down, is anchored forward by the balcony level
of the Rome Lounge and aft by the upper level of Paris Dining Room with
the Oxford Bar directly below the disco. The London Dining Room takes
up the midship space, with the Washington Library, a very British-style
reading room, taking the space between huge photo galleries.
Lobby Deck also is devoted entirely to passenger
facilities. The main level of Paris Dining Room is forward. The main
level of London Dining is midship, but it is the Capitol Bar and Lobby
that is the center of activity and headquarters for the business of
the vessel — information,
shore excursions, etc. Forward is the main level of the Rome Lounge.
Both Paris and London restaurants are double-decked, sophisticated eateries
where passengers come to dine, not merely to eat. Tables are spaced outside
of eavesdropping distance and there are a number of tables for two, which
afford intimacy. Large oval-shaped tables accommodate up to 10 or 11
for family or friends traveling together.
The décor is only slightly different in the restaurants, but
differences in size are noticeable. Paris can accommodate 1,114 guests
at each of two sittings, while London has seating for 706. The style
in both combines art nouveau with soft and easy-to-live-with colors and
fabrics.
Each has Venetian glass chandeliers hanging from domes. Similar to previous
newbuilds in the Carnival fleet, service areas have been moved to inconspicuous
locations, cutting down on clutter, noise and dirty dishes in passenger
sight lines.
Food and service on “Today’s Carnival” are totally
different from Carnival ships of yesteryear. On the Triumph (and other
Carnival ships I have sailed in the past few years) food has been upgraded
and menu choices expanded to a point that quality, presentation and service
are comparable, and in many ways, superior to what I have experienced
on some premium or upscale vessels. Variety is the key — and “impossible” doesn’t
seem to be a word in the Carnival lexicon. Presentation is excellent
and choices are varied from five course entrees to vegetarian, low calorie
or always-on-the-menu items like chicken, salmon and steak.
The two-deck South Beach Club is Triumph’s answer to Lido self-service
dining. It offers indoor-outdoor dining alternatives in a casual atmosphere
on a 24-hour basis for pizza and salad, extended breakfast and lunch
hours, as well as casual suppers. Here you’ll find Hong Kong Noodle,
a Chinese specialty area, and a New York Deli, which replaced the Italian
bar on the Destiny. There’s also a deckside Coney Island Grill.
South Beach Club is a popular alternative to
the London and Paris dining rooms. This expansive area encompasses
half of the Lido Deck and a balcony on Panorama Deck and offers indoor
and outdoor seating and a wide array of food and beverage choices.
Of course, there’s ice cream and
frozen yogurt almost all day and into the night and the famous midnight
buffet remains a Carnival hallmark.
Seating is arranged to lend an intimate feel with banquette, table and
chair groupings positioned around columns cleverly disguised by a bevy
of four cast relief mermaid statues poised on a clear mirror platform.
Service on board Triumph, as well as other Carnival ships, has been
tweaked. There was a concerted effort on the part of the entire staff
to address guests by name.
Another important adjunct in today’s market and especially in “Today’s
Carnival” agenda is facilities for junior cruisers. Triumph, like
the Destiny, devotes a two-deck-high, 1,300-square foot indoor/outdoor
area to Camp Carnival. It is home to state-of-the-art jungle games and
fun zones, both indoors and outdoors, including a video wall. For 13-
to 17-year olds, there’s a complete program, teen disco, sports,
makeovers for girls and a large staff of counselors to supervise activities.
There’s complimentary baby-sitting for kids whose parents want
to go ashore.
Camp Carnival has its own deck area and wading
pool and is located far enough away from adult passenger facilities,
so the patter and chatter of little ones doesn’t intrude.
Carnival takes gymnasiums and spas seriously
and has been an innovator in devoting substantial space to these facilities.
On Destiny-class vessels (Triumph included, of course), the Nautica
Spa is as good as it gets. It is a “real” spa at sea with
an ocean-facing supervised gymnasium equipped with every type of new
workout machinery, massage and treatment rooms, sauna and steam areas,
two 12-person whirlpools and hair salon.
Staterooms and suites occupy five full decks
and extend over onto parts of Deck 9 and 10, which is the new partial
deck on the ship. Cabins are spacious — 444 with private balconies,
331 outside standard cabins without balconies, 14 outside with large
window walls and 526 insides. Cabins are probably the largest at sea,
measuring from 220- to 260-square feet.
Warm wood tones and soft colors highlight cabin
décor. A special
paint process, featuring peach, yellow, beige, pink and gray mottling,
has been developed for cabin walls, creating a soft hand-painted look.
Each cabin has an accent wall similarly done in gray, beige, metallic
silver and gold flecks. The pink, gray, light purple and black patterned
carpet complements wall colors, as do the warm peach and lilac-print
bedspreads.
Each stateroom has television, halogen reading lights and three-way
light switches with controls from the doorway and bedside. There are
built-in hair dryers in bathrooms and more than enough storage space,
even for heavy packers.
Almost all twin beds convert to king-size configuration and most outsides
have a separate sitting area with a small leather sofa and an adjustable-height
coffee table that can be raised for room service. Specially commissioned
artwork on walls adds warmth to rooms.
The 42 suites measure 340-square feet and the eight penthouse suites
(which are not topside but on Empress Deck, dead center of the ship)
are a whopping 430-square feet. Each suite features all of the amenities
one expects in these accommodations, including large private balconies
with solid side panels for privacy, bathroom amenities including robes,
rich furnishings, burled wood furniture, granite table tops and more.
VITAL
STATISTICS
Carnival Triumph
BUILT: Fincantieri
Cantieri Navali Italiani, Monafalcone, Italy
INAUGURATED SERVICE: July 27, 1999
COST: 420 million
REGISTRY: Panama
TONNAGE: 102,000
SPEED: 22.5 Knots
LENGTH: 893 feet
BEAM: 125 Feet
PASENGERS: 2,758 (double occupancy); 3,473 including uppers)
CREW: 1,150 (Italian officers, International hotel and service
staff)
DECKS: 13
ELEVATORS: 18
S{ACE RATIO: 36
ITINERARY: through Oct. 11, 1999, 4- and 5- night roundtrips from
New York to Canadian Maritime Provinces. Moves to Miami homeport
Oct 23. for year round one-week alternating Eastern and Western
Caribbean voyages. |
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Most impressive are the bathrooms, which feature granite flooring; handmade
Murano glass-tiled walls, combination shower/whirlpool tubs and twin
sinks in the dressing counter.
Carnival has a well-earned reputation for on-board
entertainment and it doesn’t miss a beat on the Triumph. Two
new high-energy production shows that blend costumes with futuristic
special effects dazzle and transform passengers to a Las Vegas or Paris
theater.
Taking its cue from the vessel’s global theme, the first show, “Wonderful
World,” makes a magical journey to a variety of international venues.
The second show, “Century Cafe”, is a tribute to memorable
songs of the past 100 years.
On other evenings, there are guest entertainers
who never repeat performances during a voyage — including comedians,
specialty acts and magicians who are rotated within the Carnival fleet.
Daytime activities run the gambit.
Carnival Triumph is operating a series of 4- and 5-night cruises from
New York to the Canadian Maritime Provinces through Oct. 11. Four-day
cruises call at Halifax. Five-day cruises add a call at Saint John. Beginning
Oct. 23, the Carnival Triumph moves to her homeport of Miami to sail
year around on 7-day alternating weekly to the Eastern and Western Caribbean.
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